Showing posts with label Wolfgang Hohlbein. Show all posts
Showing posts with label Wolfgang Hohlbein. Show all posts

Monthly reads: October 2022

Lots of books again. I have to admit, looking at my huge reading pile at the end of the month feels really satisfying. But you know what's less satisfying? The fact that I've got almost no shelving space left and need to stack the books on the floor. Nooooo!

Doctor Who: Totenwinter (James Goss)

I haven't actually read that many Doctor Who books and/or short stories yet, but I've heard that they're usually something of a mixed bag. This one was pretty good: it had a proper intriguing mystery and the danger didn't come from some evil monster-of-the-day, but from something way more ambivalent. I also liked how the inner life of our protagonists way portrayed. I don't know, but Rory talking about how much he loves Amy even though she's sometimes more than ready to leave him behind for a new adventure (or for the Doctor) was quite heartbreaking. Consider becoming my boyfriend if you ever tire of your wife, man! Well, and the book also made me realise how much I want to rewatch DW, but I don't think I'll get to that anytime soon...

Doctor Who: Die Blutzelle (James Goss)

The 12th Doctor is my personal favourite, and Clara is on of my least favourite companions. That often made watching Twelve's series of the show something of an exhausting affair, but thankfully Clara was a lot less annoying in this book. I'm still not entirely sure whether I liked the book in the end...the mystery was interesting and I liked the way the truth was slowly revealed over the progression of the story. But the end was...confusing and sort of weird. I have exactly no idea how the mysterious 'blood cell' looked because the author just ducked out by letting his characters say 'what we saw was too weird to describe'. Uh, sure, alright then. Don't expect me to be thrilled upon hearing this, though.

Jagd der Vampire (Barbara Hambly)

I initially dropped this book after reading like 30 pages last year. Before throwing it out I started a second attempt and well, it was actually pretty good. I like the way the vampires are portrayed: they are retaining some of their human characteristics, but they are also very, very different because some of the smaller or bigger things humans care so much about (keeping up appearances for example) just lose much of their importance once you're undead for hundreds of years. I'm not sure if I could entirely follow the main plot, but overall I really enjoyed it and I also liked the resolution. What I didn't like was the sequel: I dropped that one for good around halfway through because I was either bored or wondering if any of this made any sense. Plus, I absolutely didn't like how the protagonist's wife Lydia was being such a bitch to another woman just because she thought her to be stupid. Even more so when her own actions in this book could be called more than stupid. Still, at least the first book was a good read.

Sherlock Holmes: Der Wille des Toten (George Mann)

Note to self: don't buy any of those popular Holmes pastiches anymore. You won't enjoy them anyway and it's a waste of money. Ahem. Well...I didn't like that one. I'm generally very picky about pastiches and my pet peeve is when the main characters don't feel like Holmes and Watson. And here they clearly didn't. Also, I didn't like the case solution. Oh, and one more thing: Holmes novels just rarely ever work in general. Not even ACD's own full Holmes novels are even that good if you ask me. The short stories are what makes Holmes great, so maybe pastiche writer should rather stick to those anyway...

Die Chronik der Unsterblichen: Der Gejagte/Die Verfluchten/Blutkrieg/Das Dämonenschiff/Göttersterben/Glut und Asche/Der schwarze Tod (Wolfgang Hohlbein)

I think this series is still going strong, although by now some things are slowly getting repetitive or just not as good as during the first few books anymore. A lot of the enjoyment depends on whether I liked or didn't like the setting of the different books though. I guess that was why volume 7 about the Order of Saint John defending Malta against an armada of Ottoman ships. Volume 8 saw our heroes travel though the desert and visit the graves of the Pharaohs...yep, that was right up my alley again. The extra volume Blutkrieg plus volume 9 told a story about Norse gods and some Viking-esque tribes of people – not my favourite book setting, but then again, I love things set in cold climates, so that was also nice. Volume 10 was sort of a continuation of where 9 left off, but I didn't like that one as much again (it had a nice and surprising cameo of a real historical figure though!). Volume 11 and 12, well...I'm not sure I entirely understand that whole storyline about Andrej's dead son, but at least that story should be over by the end of volume 12. That was also when I meant to take a break from the series, but you know what, I just want to go on reading now. I'll probably finish the last four books in November, so let's see whether I'm finally fed up with it by then. I sincerely doubt it, because the whole series is just immensely fun reading.

Monthly reads: September 2022

 


I did read more books this month yet again. Which feels almost weird, but...I just slowly felt my book-reading mood coming back? Haven't felt like that for a while now, but I'm not sure how long this'll last.

Die Chronik der Unsterblichen: Der Vampyr / Der Todesstoß / Der Untergang / Die Wiederkehr / Die Blutgräfin (Wolfgang Hohlbein)

I usually really enjoy books and book series by Wolfgang Hohlbein. And this one is no exception. Sure, the stories and prose aren't especially deep, but his style is just really engaging and fun and easy to read. Perfect to huddle on the couch with a blanket and a hot cup of tea and escape reality for a while. That's exactly what I want and need in Autumn, so it wasn't hard for me to pick this book series from my huge unread list. And I'm glad there are still ~10 more volumes to read!

Dear Oxbridge (Nele Pollatschek)

I usually don't read books by Germans telling stories about their life and experiences in other countries anymore. In most cases I just can't bring myself to care about what the narrator wants to tell me, and often enough I even find the narrator/author pretty unlikable. Not in this case – judging from the writing style and the things she was writing about I often found myself agreeing with her. And there were quite a few things I found really interesting, even if I've already read countless books about life in the UK. (And we're not even talking about all those TV shows I've watched...) So well, I was pleasantly surprised here!

Lebensgeister (Banana Yoshimoto)

A few years ago I read a few books by Banana Yoshimoto and I mostly remember really liking „Kitchen“. The other books were pretty good, too. But...I just didn't like this one here at all. Sure, the descriptions of Kyoto were pretty good and atmospheric. Everything else was less good, though. I couldn't connect to the characters at all and the book felt way too...esoteric? spiritual? for my tastes. It wasn't even the thing about the mainchar being able to see ghosts, but rather the fact that she herself seemed like a ghost herself, with all this weird esoteric talk about inner healing and stuff. Nah, not my favourite by this author. Definitive not.

Frauen in Japan / Das verhasste Alter (various authors)

Two anthologies with short stories by Japanese authors. I already knew some of the authors, but I also discovered a lot of new ones. The stories were pretty good, too, but there wasn't one that made me want to read more from the same author ASAP. Still, decent anthologies, because there weren't any really bad stories and that's worth something, I think.

Angels in the Moonlight (Caimh McDonnell)

I was a bit sceptical about this prequel, because frankly...as much as I love Bunny (who doesn't?), I was sure that I would miss the other characters from the original trilogy. And well, I did miss them, but I still liked the prequel a lot. Even though I still prefer the trilogy, haha. But we still get a cast of quirky, interesting characters instead of the ones we already know and the crime part is also pretty good. So...while I still have the final book of the trilogy left, I'm not worried about whether I'd enjoy the prequels and other related books anymore. Which is pretty nice.

Monthly reads: October 2021

 

First monthly reads post on the new blog, yeah! I used to post those ones on my anime blog, but from now on I'll be putting them here. Anyway, October was a pretty good reading month - I tried to read some slightly spooky things in the run-up for Halloween and enjoyed most of them! (By the way, the books not shown on the photo are ebooks as I obviously couldn't take a picture of those.

Hannibal Rising (Thomas Harris)

First off, I haven't watched the classic Hannibal movies or read any book of the original trilogy yet. However, I have at least watched the Hannibal TV series, and that's why I started being interested in the books, too. (Fun fact: I watched the TV series last October, but I never mentioned it to anyone in real life...days later my mum suddenly gave me this book and told me she bought it because it might interest me. Quite scary, that. Even more so because my mum wouldn't normally buy me a book about a serial killer even if I would politely ask her to. Which made me seriouly wonder if she reads my blog.) So, this is a prequel story about how Hannibal Lecter became the person (and cannibal) we know. I actually liked reading this origin story. I don't know whether someone who already read the other books would think differently – actually, I do know from some reviews I saw: they do – but from my point of view the story made sense. People might say that giving Hannibal a sympathetic backstory takes something away from the fascination of the character. Maybe they are right, but I still wouldn't necessarily agree. Sure, if it were a sappy story about how a entirely normal little boy turned into a cruel killer because of some traumatic event from his past...no, that really doesn't sound like Hannibal Lecter at all. But I got something different from the story: how a boy with a brilliant mind descends into darkness instead of stepping into the light and being recognised as a genius on the field of medicine, for example. (I'm aware that sounded a bit melodramatic. But that actually sort of fits the subject, I think!) I did enjoy reading about that, and it made me look forward to watching (or reading) the original trilogy one day.

Die Chronik der Unsterblichen 1: Am Abgrund (Wolfgang Hohlbein)

I usually enjoy Wolfgang Hohlbein's books. He's not one of my absolute favourite author, but his stories are usually really thrilling and just the right kind of book to read if I want to take my mind off real life. And once again, I wasn't disappointed. This book is the first volume in a long-running historical fantasy series, which is the reason why it mostly served as a prologue for a longer story and introduced a cast of characters we will probably meet again later on. Also, I did recognise some tropes from the author's other books – for example, the relationship between Andrej and Frederic reminded me a lot of a similar dynamic between two characters from his book 'Thor'. Still, it was already plenty entertaining and I'm curious about where the story will lead the main character and also us readers.

Seventy Two Virgins (Boris Johnson)

Oh my. That was...bad. And to make two things entirely clear from the beginning: no, I don't like Boris Johnson and no, I didn't expect this to be any good – quite the contrary, actually. And yet I still got disappointed. I thought there might still be some fun to be had in reading this book, in a sort of 'ha-ha, I can't believe the guy who wrote this shit got elected as PM of the United Kingdom' way. If that makes any sense. What definitely didn't make any sense was the book. I don't know, but the people who compared this to the writings of P.G. Wodehouse might have been drunk, because...this book was neither funny nor witty while the Wodehouse books are definitely both funny and witty. And yes, I tried to forget who wrote this. It was still bad. I have to add that I think I even got what he wanted to do with the plot: lots of seperate plotlines which converge at a certain highlight point of the entire thing, where everything gets resolved and one of all those losers turns out to be a hero. Or something like that. Just that it didn't work. I didn't care about those people at all, and not even lenghty explanations about their past and motivations could change this. Seriously, it was so obvious how he tried to paint the British member of the terror gang as basically just a poor guy who got mislead by the evil Arabs – while also heaping on him because he was also some antisocial deadbeat who basically just wasted taxpayers money through his sheer existence. Add some more extra casual racism and sexism plus some semi-funny puns on every second page and well, now that sounds the BJ we all know and love. Or hate. Or love to hate. I really don't know anymore. Nevertheless, I would still say reading this book was at least worth something, because it made me feel better about my own writing. I mean, seeing how even bad books can get published makes me feel less anxious about whether the quality of my fanfictions is good enough. At least I don't charge money for those, even if they aren't exactly literature!

Britty Britty Bang Bang (Hugh Dennis)

A while ago I bought a few books written by British comedians, partially because I just really like the author or also because some nice people on Tumblr responded with lots of recommendations when I asked them for Britcom-related books. This one here fits in the former category because Hugh Dennis is one of my favourite panelists from both Mock the Week and Taskmaster. And I was even pleasantly surprised by the book, because I also learned some new things about Britain while having fun reading an entertaining book. That's just how I like it!

Carmilla (J. Sheridan Le Fanu)

I initially downloaded this short novel because one reviewer called it the superior vampire story when compared to Dracula. And I couldn't really believe that, because...well, everyone knows Dracula, but Carmilla? Not so much. (I knew her from the smartphone game Fate/Grand Order. Yes, being a fan of anime and games does have some benefits!) However, having read both stories I have to say....I entirely agree with that reviewer! I just really enjoyed Carmilla, and I can't believe that this story is actually even older than Dracula because it felt so...fresh? Modern? I can't really put it in words, I think. I mean, a story about a lesbian vampire preying on young girls? That sounds like something straight from some of today's B-movie horror flicks! However, there obviously isn't anything even remotely similar to a sex scene in the novel (well, I'm aware that a vampire's bite is basically a metaphor for a sexual act, but I think you get my meaning) and so this isn't a cheap horror thrill, but a really interesting and at times chilling and thrilling read. The only thing I liked not as much was the ending because it felt somewhat rushed and almost made me lose interest. But that didn't ruin my overall enjoyment of the story and I would still absolutely recommend it to anyone who would be interested in reading a classic vampire story.

Dracula (Bram Stoker)

I already mentioned Dracula, so...well, you already know that it's not my favourite classic vampire novel. Don't get me wrong, there were things I greatly enjoyed about it. The beginning of the story and the first part set in Dracula's castle were just great and I was curious to see what would happened next. Also, the parts about Renfield's strange obsessions and also Lucy's story were intriguing. However, everything felt just way too lenghty. Sometimes nothing meaningful happened for many pages and especially the middle part after Lucys death felt somehow dreadful – not because of Dracula's doing, mind you. The ending part turned out to be more interesting, but I don't think I'll ever feel the need to re-read this story, if I'm entirely honest. And I think it is worth mentioning that I haven't watched any film adaption of Dracula before reading the book. So I guess fans of the various adaptions might not like the actual book at all. Still, it was interesting to read about the origins of one of the most famous literary and pop-cultural figures of all time.

Frankenstein (Mary Shelley)

Everyone knows Frankenstein's Monster, and many people actually confuse the creator (=Frankenstein) with his creation (=the Monster). Then again, are they really wrong about thinking that this is a story about a monster called Frankenstein? Because I for one absolutely came to loathe the guy during the course of the book. I mean, creating a initially gentle yet ugly 'monster' just to suddenly realise that he possibly did a bad thing and thus leaving the monster entirely to its own devices – only to revile his creation at their next meeting which happened many months later. Still, the monster doesn't even assault him like the proper ugly evil bastard it's supposed to be (if he's ugly, then he has to be evil, right?) and tries to explain his motivations and the way it lived to far. Well, at least then our dashing hero sort of begrudgingly pretends to understand the monster's plea and agrees to make a companion for him. (Not without lots of whining though because he feels so bad about it! Seriously, I've never seen a more whiny protagonist.) After another meeting with the monster he suddenly decides to say 'fuck it, I'm not gonna do this' instead and is subsequently really shocked that the monster exacts his revenge against his creator. The rest of the book was almost funny to me, to be honest. The wedding night scene almost made me laugh: 'I fear that my wife might be in danger, so I'll just waltz around our house and leave her entirely unprotected in our bedroom!', just to be really surprised and shocked to find her dead when he came back. I'm sorry, but that was funny. Then more whining ensued, before he finally decided to man up a bit and chase his nemesis literally to the ends of the world: the Arctic. That also where he tells his sob story to the captain of a ship who rescued him – and the poor captain basically seems to fall in love with his new acquantance, judging from the way he talked about him. I just love how Frankenstein repeatedly claimed that the monster possessed huge powers of persuasion and no one should believe it when it talks about its sad story. I think he mixed up things there: actually he was the slimy smooth-talker himself, because he was so persuasive that he basically calmed down a bunch of mutinous sailors in mere minutes. The monster on the other hand never got a fair chance to persuade anyone because of how ugly it was. So that's that, I'd say.

Anyway, I guess this whole rant sounded a lot like I didn't like the book. And that's not true, I actually liked it quite a bit. Maybe because I sympathised with the monster in some way. Even though I'm obviously not a artificially created giant person (I promise), I know how it feels like to be judged based on wrong first impressions, always being the odd one out and thus starting to feel a certain kind of resentment towards other people. And I don't think I'm the only person who can. Frankenstein, on the other hand...well, I rarely ever hated a book protagonist as much as I hated him. Which is an achievement in itself, I think! But the douchebag still didn't ruin my enjoyment of the book, so...that definitely was a classic worth reading, even though I fear that I lack the deeper understanding of literature to properly analyse all the themes used in the novel.

Doctor Who: The Crimson Horror (Mark Gatiss)

A pretty enjoyable novelisation of a pretty enjoyable episode, I'd say. Sure, the plot was pretty crazy and sometimes a bit over the top, but I liked the Victorian setting a lot and the story had just the right amount of craziness I enjoy about a Doctor Who story. The latest stories in the TV series are sometimes a bit over the top for my tastes, I have to say. But well, there's always the possibility of rewatches or revisiting favourite stories via the novelisations!

Thank you, Jeeves (P.G. Wodehouse)

I read a collection of all Jeeves and Wooster short stories at the beginning of this year, so it's quite odd that it still took me this long to actually finish this first novel about their hilarious adventures. Well, maybe because I'm determined to save up the Wodehouse novels as a cure-all measure for bad reading slumps. The short stories were basically the only thing I could still read when I faced my worst ever reading slump, and I'll be eternally grateful for that. I think I maybe liked the short stories a little bit more than this full-length adventure, but it was still really, well...the bee's knees would a fitting expression! It's not like I had any real doubts, but I'll definitely go on reading the entire series now. And I'll also want to take a look at PG Wodehouse's other books – good thing that there are so many of them!

A Case of Blackmail in Belgravia (Clara Benson)

I only read this because I could download the ebook version for free, but I actually enjoyed it a lot! I'm just really weak for stories set tin 1920s/1930s England, whether it's a crime novel, a comedy story or really anything. This one falls in the first category and while it wasn't exactly one of Agatha Christie's books it was still highly enjoyable. I might buy the next volumes in the series too, if I ever feel the need for some light fun reading because that's exactly what I got from this novel!